{"id":10335,"date":"2021-11-10T11:43:03","date_gmt":"2021-11-10T09:43:03","guid":{"rendered":"https:\/\/nou.tncms.ro\/nou\/?p=10335"},"modified":"2023-11-24T08:17:45","modified_gmt":"2023-11-24T06:17:45","slug":"maratonul-de-cristian-simionescu-spectacol-lectura-2","status":"publish","type":"post","link":"https:\/\/tncms.ro\/en\/maratonul-de-cristian-simionescu-spectacol-lectura-2\/","title":{"rendered":"THE MARATHON by Cristian Simionescu \u2013 reading performance"},"content":{"rendered":"<p>Nicolae Coande v\u0103 invit\u0103 la<span style=\"font-size: medium;\">\u00a0\u201eAdunarea Poe\u021bilor\u201d<\/span>, la o \u00eent\u00e2lnire cu poezia lui\u00a0<span style=\"font-size: medium;\">Cristian Simionescu<\/span>\u00a0(1939-2018) \u2013\u00a0<b>joi 11 noiembrie, ora 17,oo<\/b>, \u00een foaierul TNC. Spectacolul lectur\u0103\u00a0<span style=\"font-size: medium;\">\u201e<\/span><b><span style=\"font-size: medium;\">Maratonul\u201d<\/span>\u00a0<\/b>(dup\u0103 volumul de poezie cu acela\u0219i titlu) \u00eei are ca protagoni\u0219ti pe actorii\u00a0<b>Adrian Andone, Nicolae Vicol, Monica Ardeleanu, Mihai Vi\u021b\u0103, Robert Adrian Vladu, Ovidiu C\u00e2rstea.<\/b><\/p>\n<p>Textul spectacolului este stabilit de Nicolae Coande.<\/p>\n<p>Admission is free.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-15374 aligncenter\" src=\"https:\/\/tncms.ro\/wp-content\/uploads\/2021\/11\/Maratonul_spectacol-lectura_nov-2021.webp\" alt=\"\" width=\"1080\" height=\"720\" srcset=\"https:\/\/tncms.ro\/wp-content\/uploads\/2021\/11\/Maratonul_spectacol-lectura_nov-2021.webp 1080w, https:\/\/tncms.ro\/wp-content\/uploads\/2021\/11\/Maratonul_spectacol-lectura_nov-2021-300x200.webp 300w, https:\/\/tncms.ro\/wp-content\/uploads\/2021\/11\/Maratonul_spectacol-lectura_nov-2021-1024x683.webp 1024w, https:\/\/tncms.ro\/wp-content\/uploads\/2021\/11\/Maratonul_spectacol-lectura_nov-2021-768x512.webp 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/p>\n<div>\n<p><b>Cristian Simionescu<\/b>\u00a0s-a n\u0103scut pe 21 iulie 1939 \u00een comuna Hlipiceni, jude\u0163ul Boto\u015fani. A urmat cursurile Liceului Na\u0163ional din Ia\u015fi, cu excep\u0163ia ultimei clase, pe care a absolvit-o la Liceul \u201eAurel Vlaicu\u201d din Bucure\u015fti (1956). A urmat cursurile Facult\u0103\u0163ii de Filologie ale Universit\u0103\u0163ii \u201eAl. I. Cuza\u201d din Ia\u015fi, pe care le-a absolvit \u00een 1966, c\u00e2nd \u015fi-a sus\u0163inut examenul cu lucrarea \u201eProza lui Mihai Eminescu\u201d. A debutat \u00een volum cu\u00a0<em>Tabu<\/em>, 1970. Dup\u0103 debut, Simionescu a fost vreme de zece ani interzis de cenzura comunist\u0103. Revine \u00een 1980 cu\u00a0<em>Vicleniile oceanului<\/em>, carte urmat\u0103 \u00een anii \u201980 de\u00a0<em>Maratonul<\/em>\u00a0(1985) \u0219i\u00a0<em>Insula<\/em>\u00a0(1988), dup\u0103 care nu mai public\u0103 dec\u00e2t antologii:\u00a0<em>Maratonul<\/em>\u00a0(1995) \u0219i\u00a0<em>\u021ainutul bufonilor<\/em>\u00a0(2002, titlu reluat \u00een alte dou\u0103 c\u0103r\u021bi, din 2010, respectiv 2013). Prime\u0219te pe 15 ianuarie 2009 Premiul Na\u021bional \u201eMihai Eminescu\u201d Opera Omnia. Retras \u00een ultimele decenii la B\u00e2rlad, Simionescu s-a stins din via\u021b\u0103 pe 13 noiembrie 2018.<\/p>\n<\/div>\n<div>\n<p>*<\/p>\n<p>\u201eViziunea dezabuzat-grotesc\u0103 \u015fi sarcastic\u0103 a lui Swift (\u2026) r\u0103m\u00e2ne un reper, prin acest spa\u0163iu poetic trece \u015fi Goya cu ale sale \u00abcaprichos\u00bb, nu suntem prea departe nici de articul\u0103rile de comedie infernal\u0103 \u015fi de co\u015fmar ale unui Bosch ori de nelini\u015ftitoarele \u00eent\u00e2lniri suprarealiste dintre obiecte. \u00cen fa\u0163a unei asemenea comedii uman-inumane, r\u0103m\u00e2ne sur\u00e2sul \u00een\u021belept-sceptic, cu o bun\u0103 doz\u0103 de stoicism\u201d.<\/p>\n<p align=\"right\"><b>Ion Pop<\/b><\/p>\n<p>\u201eUn \u201eHamlet\u201d ren\u0103scut, perpetuu m\u00e2hnit, b\u00e2ntuie prin poezia acestui singular poet con\u015ftient c\u0103 \u201enici o scul\u0103 nu poate lovi miezul fiin\u0163ei\u201d, un personaj tragic sedus de patosul refuzului \u00een \u201epenitenciarul vanit\u0103\u0163ii\u201d, unde ne juc\u0103m cu voio\u015fie rolurile \u015fi ne pl\u00e2ngem de soarta care ne \u00eempinge spre o \u201eterra damnata\u201d. Dar acest Hamlet\u00a0<i>revival,<\/i>\u00a0care este poetul vremurilor noastre, cel ce spal\u0103 pahare pentru oaspe\u0163i stranii sosi\u0163i \u00een miez de noapte, face un pas \u00eend\u0103r\u0103t \u015fi las\u0103 faldurile culiselor s\u0103 cad\u0103, ca f\u00e2\u015fii de materie obscur\u0103, asupra bufonilor ce joac\u0103 piesa-n pies\u0103\u201d.<\/p>\n<p align=\"right\"><b>Nicolae Coande<\/b><\/p>\n<div dir=\"ltr\">\u201e\u2026 nu o poezie a eului scrie Cristian Simionescu &#8211; \u015fi, cu toate acestea, tablourile terifiante, scenariile dramatice (ale c\u0103ror personaje sunt Mimul, Bufonul, Arhitectul ori, pentru a mai da un singur exemplu, Candidul) m\u0103rturisesc, \u00een mari oglinzi deformatoare, tocmai despre continuitatea dintre fiin\u0163\u0103 \u015fi lume (\u2026) Cine crede c\u0103 \u201etablourile&#8221; lui Cristian Simionescu sunt comode cu sine, c\u0103ci \u00eenregistreaz\u0103 doar formele din afara sinelui, se \u00een\u015fal\u0103. Exteriorul \u015fi interiorul sunt una, iar \u00eenregistrarea hiperbolic\u0103 e consecin\u0163a unei disper\u0103ri bacoviene.\u201d &#8211;\u00a0<b>Mircea A. Diaconu<\/b><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Nicolae Coande v\u0103 invit\u0103 la\u00a0\u201eAdunarea Poe\u021bilor\u201d, la o \u00eent\u00e2lnire cu poezia lui\u00a0Cristian Simionescu\u00a0(1939-2018) \u2013\u00a0joi 11 noiembrie, ora 17,oo, \u00een foaierul TNC. Spectacolul lectur\u0103\u00a0\u201eMaratonul\u201d\u00a0(dup\u0103 volumul de poezie cu acela\u0219i titlu) \u00eei are ca protagoni\u0219ti pe actorii\u00a0Adrian Andone, Nicolae Vicol, Monica Ardeleanu, Mihai Vi\u021b\u0103, Robert Adrian Vladu, Ovidiu C\u00e2rstea. Textul spectacolului este stabilit de Nicolae Coande. Intrarea [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15373,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-10335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noutati-ro"],"_links":{"self":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/10335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/comments?post=10335"}],"version-history":[{"count":1,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/10335\/revisions"}],"predecessor-version":[{"id":15375,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/10335\/revisions\/15375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media\/15373"}],"wp:attachment":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media?parent=10335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/categories?post=10335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/tags?post=10335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}