{"id":13752,"date":"2023-05-02T15:27:00","date_gmt":"2023-05-02T12:27:00","guid":{"rendered":"https:\/\/tncms.ro\/?p=13752"},"modified":"2023-11-11T08:01:46","modified_gmt":"2023-11-11T06:01:46","slug":"the-poet-stefan-manasia-is-the-guest-of-nicolae-coande-at-the-cultural-event-the-gathering-of-poets","status":"publish","type":"post","link":"https:\/\/tncms.ro\/en\/poetul-stefan-manasia-este-invitatul-lui-nicolae-coande-la-evenimentul-cultural-adunarea-poetilor-2\/","title":{"rendered":"The poet \u0218tefan Manasia is the guest of Nicolae Coande at the cultural event \"Poets' Gathering\""},"content":{"rendered":"

\"\"<\/p>\n

Poetul \u0218tefan Manasia este invitatul lui Nicolae Coande\u00a0la evenimentul cultural\u00a0\u201eAdunarea Poe\u021bilor\u201d, vineri 5 mai, ora 17.00.<\/p>\n

Unul dintre poe\u021bii de marc\u0103 ai promo\u021biei 2000, \u0218tefan Manasia va citi din poemele sale \u0219i va sus\u021bine conferin\u021ba \u201cTrilobit, amonit, orthoceras \u2013 larii\u00a0<\/span>\u0219i pena\u021bii poetului\u201d.<\/span><\/p>\n

Intrarea publicului este liber\u0103.<\/span><\/p>\n

*<\/span><\/p>\n

\u00a0<\/span>Autorul<\/p>\n

\u00a0Cred foarte mult \u00een for\u021ba \u0219amanic\u0103 (dincolo de subtextele \u0219i contextele noului ev digital) a poeziei. Unii dintre noi avem superputerea asta pe care, din p\u0103cate, o v\u0103d adesea batjocorit\u0103, folosit\u0103 \u2013 ca toate superputerile \u2013 \u00een slujba unui agent ideologic perisabil sau a unei cariere (promiscue) sau\u2026 Adic\u0103, s\u0103 ai superputerea, dar s\u0103 fii un Wernher von Braun, s\u0103 treci (impenitent) de la nazi\u0219ti la americani ambal\u00e2nd acela\u0219i r\u0103u \u0219i aceea\u0219i moarte, dezvolt\u00e2ndu-le cu pricepere, cu geniu (care e superputerea ta)\u2026 Cred c\u0103 trebuie s\u0103 putreze\u0219ti mult timp \u00een dileme, \u00een autoderiziune, s\u0103 b\u00e2jb\u00e2i, s\u0103 \u00eeno\u021bi ca somonii-n amonte, p\u00e2n\u0103-\u021bi activezi \u2013 de-adev\u0103ratelea \u0219i benign \u2013 superputerea.<\/span><\/i><\/p>\n

\u0218tefan Manasia<\/span>\u00a0(<\/strong><\/b>n. 1977, Pite\u015fti, Rom\u00e2nia). Este poet \u015fi jurnalist, redactor al revistei de cultur\u0103\u00a0Tribuna<\/em>. \u00cen 2008 ini\u0163iaz\u0103, la Cluj, Clubul de Lectur\u0103 \u201eNepotu\u2019 lui Thoreau\u201d (al\u0103turi de Sz\u00e1ntai J\u00e1nos \u0219i Fran\u00e7ois Br\u00e9da) \u2013 cea mai important\u0103 comunitate literar\u0103 rom\u00e2no-maghiar\u0103 din Transilvania. A publicat \u015fase volume de versuri:\u00a0Amazon \u0219i alte poeme<\/em>\u00a0(2003),\u00a0cartea micilor invazii<\/em>\u00a0(2008, premiul\u00a0Manuscriptum<\/em>\u00a0pentru poezie, din partea Muzeului Na\u0163ional al Literaturii Rom\u00e2ne),\u00a0motocicleta de lemn<\/em>\u00a0(2011, premiul T\u00een\u0103rul Scriitor al Anului 2011),\u00a0Bonobo sau cucerirea spa\u021biului<\/em>\u00a0(2013),<\/strong>\u00a0Cerul senin<\/em>\u00a0(2015, premiul pentru poezie al revistei\u00a0Observator cultural<\/em>) \u015fi\u00a0Gustul cire\u015felor<\/em>\u00a0(2017, nominalizat la premiile\u00a0Observator cultural<\/em>). Poemele sale s\u00eent traduse \u00een maghiar\u0103, francez\u0103, german\u0103, polonez\u0103, ivrit. Sus\u0163ine lecturi publice \u00een Rom\u00e2nia \u015fi \u00een str\u0103in\u0103tate (Budapesta, Berlin, Praga, \u010csesk\u00e9 Bud\u011bjovice, Istanbul, Tel Aviv, Tivon, Chi\u015fin\u0103u). Este autorul volumului de eseuri \u015fi cronici literare\u00a0Stabilizator de arom\u0103<\/em>\u00a0(2016), al romanelor\u00a0Cronovizorul<\/i>\u00a0(Ed. Polirom, 2020), Platanii din Samothraki (Ed. Paralela 45, 2022). Interesat de cinema, biologie, istorie, arheologia spaimei, alchimia ororii, \u00een cartea din 2011 \u00ee\u015fi rezum\u0103 credo-ul (meta)poetic a\u015fa: \u201eOmul, aceast\u0103 g\u00eenganie mistic\u0103.\/ Man, this mystic bug.\u201d (Summa Theologica<\/em>).<\/span><\/div>\n
*<\/b><\/span><\/div>\n
\n

\u201eManasia este s\u0103lbaticul domesticit care a citit c\u0103r\u021bi, \u0219i-a ales mae\u0219tri sau l-au ales ei pe el: Lowry, Salinger, Hrabal, Melville, ni\u0219te domni care \u0219tiu ce-i via\u021ba (deci \u0219i literatura), muzican\u021bi faimo\u0219i, Radiohead, Oasis, Vulture nu \u0219tiu cum, dar \u0219i contemporani carismatici, Acosmei, de pild\u0103, un poet care scrie la aceea\u0219i carte de peste 30 de ani \u0219i \u00eenc\u0103 exist\u0103 […] Senzorial \u0219i la p\u00eend\u0103, un carnasier cu ochiul treaz \u00een\u0103untru, sevrat de sentimente care cer cuvinte pe m\u0103sur\u0103 \u0219i oarece cunoa\u0219\u00adtere \u0219tiin\u021bific\u0103, poemul lui Manasia dezvolt\u0103 o spiral\u0103 a hiperspa\u021biului \u00een care, ciudat-ciud\u0103\u021bel, vorba personajului lui Saramago, sufle\u021belul e umil, mic c\u00eet un quark (care are\u00a0arom\u0103, se \u0219tie), pe care nu-l v\u0103d dec\u00eet noii ciclopi ai lumii moderne \u2013 telescoapele savan\u021bilor descoperind lumina stelei ce muri. Azi o vedem \u2013 \u0219i nu are istorie.\u201d\u00a0(Nicolae Coande, Manualul v\u00e2n\u0103torului de poe\u021bi).<\/span><\/p>\n

\u201c<\/span>Manasia nu este un flaneur care culege tot ce i se prezinta in fata ochilor, con\u0219tient de capacitatea sa remarcabila de a transfigura verbal lumea. Mai degrab\u0103, el p\u00e2nde\u0219te \u00eenfrigurat \u00eentrup\u0103rile unei realit\u0103\u021bi pe care a \u00eentrev\u0103zut-o, poate, c\u00e2ndva, si ale c\u0103rei rosturi le-a priceput abia pe urma. Tocmai de aceea, frumuse\u021bea cap\u0103t\u0103 in poeziile sale o calitate distinctiva, abstracta: Manasia v\u00e2neaz\u0103 ideea de frumuse\u021be, s-ar zice, si nu frumuse\u021bile pe care vi\u021ba i le ofer\u0103. Atitudinea sa nu este una inocenta, dar nici de un platonism desert. El \u00eenregistreaz\u0103 tot ceea ce aminte\u0219te de frumuse\u021be, acuz\u00e2ndu-\u0219i propria \u00eenstr\u0103inare de lumea acesteia.\u201d (Doris Mironescu, Suplimentul de cultur\u0103 nr. 199).<\/span><\/div>\n

\u201cCronovizorul<\/span><\/em>\u00a0cartografiaz\u0103 medii din cele mai diverse, cu condi\u021bia ca acestea s\u0103 stimuleze sim\u021burile \u0219i s\u0103 produc\u0103 mici revela\u021bii. Ceea ce \u00eei reu\u0219e\u0219te lui \u0218tefan Manasia \u00een proz\u0103 este declan\u0219area \u0219i men\u021binerea acestor epifanii \u00een medii ginsbergiene, imune la realitatea eviscerat\u0103 \u0219i aflate \u00een permanent anamorfism. Astfel, Manasia construie\u0219te, \u00een ciuda fragmentarismului voit al romanului, un sistem propriu de navigare prin lume, de observare implicat\u0103, la care vocea auctorial\u0103, cel mai adesea la persoana I, reac\u021bioneaz\u0103 organic \u0219i ritualic.\u201d (Teona Farmatu, Vatra, nr.12\/2020)<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Poetul \u0218tefan Manasia este invitatul lui Nicolae Coande\u00a0la evenimentul cultural\u00a0\u201eAdunarea Poe\u021bilor\u201d, vineri 5 mai, ora 17.00. Unul dintre poe\u021bii de marc\u0103 ai promo\u021biei 2000, \u0218tefan Manasia va citi din poemele sale \u0219i va sus\u021bine conferin\u021ba \u201cTrilobit, amonit, orthoceras \u2013 larii\u00a0\u0219i pena\u021bii poetului\u201d. Intrarea publicului este liber\u0103. * \u00a0Autorul \u00a0Cred foarte mult \u00een for\u021ba \u0219amanic\u0103 (dincolo […]<\/p>\n","protected":false},"author":2,"featured_media":14929,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-13752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noutati-ro"],"_links":{"self":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/13752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/comments?post=13752"}],"version-history":[{"count":2,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/13752\/revisions"}],"predecessor-version":[{"id":14931,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/13752\/revisions\/14931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media\/14929"}],"wp:attachment":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media?parent=13752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/categories?post=13752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/tags?post=13752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}