![\"\"](\"https:\/\/tncms.ro\/wp-content\/uploads\/2023\/06\/femeia-marii-p2-012-1.jpg\")
Costinela Ungureanu received the Award for the best actress in a leading role<\/p>\nCostinela Ungureanu received the Award for the best actress in a leading role<\/p>\n
at the UNITER Awards Gala<\/p>\n
During the UNITER 2023 Awards Gala which took place on Monday, June 12, 2023, at the \"Mihai Eminescu\" National Theater in Timi\u0219oara, COSTINELA UNGUREANU won the Award for the best actress in a leading role, for the role of Elida Wangel, in the show \"The Woman of the Sea\" by Henrik Ibsen, directed by Andriy Zholdak.<\/p>\n
The following actresses were nominated in the same category:<\/p>\n
\u201eThe show The Woman of the Sea is about Ellida. Ellida by director Zholdak. Ellida of the actress Costinela Ungureanu. A huge performance. Of the highest artistic caliber. From the beginning to the end. For almost four hours. A concentration from which the actress does not leave for a second. Play in trance everything. Otherwise, I don't even think he could do what he does. And how. Her body is like a musical instrument, with strings, many strings, which Zholdak touched and animated. There are thousands of strings that vibrate and the body sings. Every fiber in her body sings. Everything is musical. Every gesture, every invented step, the jumps, on two legs, on one leg, walking, all the routes, their repetitiveness, of the steps, of the gestures. Then the sounds turn into a line. All of Ellida's movement is a continuous line, the Graphics of these hallucinatory images. As powerful as Ellida's hallucinations. Like the upheavals of her body, her mind, her soul. And once it seems to fly, detach itself from the forms of the pathological and go. Somewhere. In the water, on a rock, underwater, in the sky, in the clouds. I do not know. Seconds. And again I see his eyes. Trance. The commotion. But also the Light. I follow her everywhere. I can't tear myself away from what I see. She jumps, soars, climbs, runs from one side of the stage to the other, jumps, soars, prays, sings her despair, a captive swan, obsessed with physical pleasure I don't even know if she's ever had. I don't know anything more than that I haven't seen anything like this in our country for a long time.\"\u00a0\u00a0<\/em><\/p>\n Marina Constantinescu, literary Romania\u00a0<\/em>nr. 13\/2022<\/em><\/a><\/p>\n \u00a0<\/em><\/p>\n Show details: https:\/\/tncms.ro\/spectacole\/femeia-marii\/<\/a><\/p>\n In the current season, Costinela Ungureanu plays in the shows The snows of yesteryear <\/strong><\/a>by Dumitru Solomon, directed by Mircea Corni\u0219teanu, B\u0103g\u0103u<\/strong><\/a> after Ioana Bradea, directed by Cristina Giurgea, The Miser <\/strong><\/a>by Moli\u00e8re, directed by Felix Alexa, dog with man. dog without man<\/strong><\/a> by Lia Bugnar, Dan Coman, Simona Goshu, Maria Manolescu, Oana Pellea, Radu Tudoran and Radu Afrim, directed by Radu Afrim, VIVA LA VULVA!<\/strong><\/a> by Marius Aldea, directed by Andrea Gavriliu, Think of Africa <\/strong><\/a>by Gordon Dryland, directed by Alexandru Boureanu, 1,2,3\u2026B\u00c9B\u00c9<\/strong><\/a> by Andr\u00e9 Roussin, directed by Alexandru Boureanu & Raluca P\u0103un, TOC TOC<\/strong><\/a> de Laurent Baffie, regia Alexandru Boureanu&Raluca P\u0103un, Heart and other meat preparations<\/strong><\/a> by Dan Coman, directed by Radu Afrim, Retroelectro <\/strong><\/a>directed by Bogdan Georgescu, Gai\u021bele<\/strong><\/a> by Alexandru Kiri\u021bescu, directed by Alexandru Boureanu, The Scourge<\/strong><\/a> by I.L. Caragiale, directed by Kincses Elem\u00e8r.<\/p>","protected":false},"excerpt":{"rendered":" Costinela Ungureanu \u00a0a primit Premiul pentru cea mai bun\u0103 actri\u021b\u0103 \u00een rol principal la Gala Premiilor UNITER \u00cen cadrul Galei Premiilor UNITER 2023 care a avut loc \u00a0luni,\u00a0 12 Iunie 2023, la Teatrul Na\u021bional \u201eMihai Eminescu din Timi\u0219oara, COSTINELA UNGUREANU a c\u00e2\u0219tigat Premiul pentru cea mai bun\u0103 actri\u021b\u0103 \u00een rol principal, pentru rolul Elida Wangel, […]<\/p>\n","protected":false},"author":2,"featured_media":14886,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-13964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noutati-ro"],"_links":{"self":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/13964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/comments?post=13964"}],"version-history":[{"count":3,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/13964\/revisions"}],"predecessor-version":[{"id":14890,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/13964\/revisions\/14890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media\/14886"}],"wp:attachment":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media?parent=13964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/categories?post=13964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/tags?post=13964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}