{"id":8947,"date":"2021-01-26T16:38:38","date_gmt":"2021-01-26T14:38:38","guid":{"rendered":"https:\/\/nou.tncms.ro\/nou\/?p=8947"},"modified":"2023-11-24T15:41:21","modified_gmt":"2023-11-24T13:41:21","slug":"alice-nu-stie-sa-moara-2","status":"publish","type":"post","link":"https:\/\/tncms.ro\/en\/alice-nu-stie-sa-moara-2\/","title":{"rendered":"Alice doesn't know how to die"},"content":{"rendered":"<p>The Marin Sorescu National Theatre sadly announces the passing away of actress Georgeta Luchian Tudor, one of the emblematic actresses of an institution she served with an extraordinary talent. The institution is with her husband, the artist Tudor Gheorghe.<\/p>\n<p class=\"translation-block\">Born in Br\u0103ila (September 6, 1934), Georgeta Luchian Tudor (last name, Loch), graduated from the Theater Institute in 1963, class teacher Ion \u0218ahighian, assistants David Esrig and C\u0103lin Florian. She wanted to be a journalist, but the theater won in her one of the purebred actresses, whose artistic nobility was enjoyed by generations of spectators from Craiova and beyond. She debuted at the Craiova National in the role of Fanchette, in the show \"The Wedding of Figaro\" by Beaumarchais (1963). Charm, tenderness, generosity, this is how she was characterized in the years to come, when she was cast in complex female roles: Maria Lothundiaz (H. de Balzac's Cup Valet), Cinderella (E. Li\u021bu's Golden Shoe), Dona Anna (Peasant from Getafe by Lope de Vega), Cellia (Volpone by Ben Johnson), Dona Angela (The Unseen Lady by Calderon de la Barca), P\u0103una (A milestone by Ion D. S\u00eerbu), Ara (Ark of Good Hope by Ion D. S\u00eerbu), Clarice (Servant to two masters of Goldoni), Sanda Augustin (That purple twilight by Ion D. S\u00eerbu), Marion (Marion Delorme by V. Hugo), Miss Nastasia (Miss Nastasia by G. M. Zamfirescu), Nora (Nora by H. Ibsen), Viorica (Little Hell by Mircea \u0218tef\u0103nescu) etc. She starred in shows directed by well-known directors: Georgeta Tomescu, Ion Maximilian, Valentina Balogh, C\u0103t\u0103lina Buzoianu, Petre Sava-B\u0103leanu, C\u0103lin Florian, Riszard Sobolewski, Cristian Hadji-Culea, Daniela Peleanu, Mircea Corni\u0219teanu, Mihai Manolescu, Silv\u0163ii Purc\u0103rete and others. . In the show <span lang=\"EN-US\"> \u201c<\/span> Little Hell\u201d she played with her husband, the artist Tudor Gheorghe, with whom she was together for 56 years. Once upon a time, Tudor Gheorghe declared: \"Span lang =\" EN-US \"&gt;<\/p>\n<p class=\"translation-block\">In November 2013, the National Theater celebrated her 50th birthday in the world she loved so much, together with her stage colleagues Leni Pin\u021bea-Homeag, Emil Boroghin\u0103, Valeriu Dogaru. In a last memorable show, she played the role of Alice Voinescu, the well-known intellectual from the interwar period, in the show <span lang=\"EN-US\"> \u201c<\/span> Alice doesn't know how to die\u201d, adapted by Gheorghe Tru\u021b\u0103 according to the writer's diary, directed by Mircea Corni\u0219teanu. She is the author of the volume of poems, <span lang=\"EN-US\"> \u201c<\/span> Sometimes women smile\u201d (Ed. Scrisul rom\u00e2nesc, 2011). She left this sad winter, but her lyrics, like the memory of a full actress, remain: <span lang=\"EN-US\"> \u201c<\/span> <i> I was asked why women sometimes smile. And I answered: because I weep too much, every day, for all the pains of the world, not only for theirs. But, ladies and gentlemen, because it's our birthday, I want you to smile more, even when your heart hurts\u2026 Because a smile is a balm. \u201d<\/i><\/p>","protected":false},"excerpt":{"rendered":"<p>Teatrul Na\u021bional \u201eMarin Sorescu\u201d anun\u021b\u0103 cu triste\u021be plecarea la cele ve\u0219nice a actri\u021bei Georgeta Luchian Tudor, una dintre actri\u021bele emblematice ale unei institu\u021bii pe care a slujit-o cu un talent ie\u0219it din comun. Institu\u021bia este al\u0103turi \u00een aceste momente de so\u021bul ei, artistul Tudor Gheorghe. N\u0103scut\u0103 la Br\u0103ila (6 septembrie 1934), Georgeta Luchian Tudor (numele [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15527,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-8947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noutati-ro"],"_links":{"self":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/8947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/comments?post=8947"}],"version-history":[{"count":2,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/8947\/revisions"}],"predecessor-version":[{"id":15529,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/posts\/8947\/revisions\/15529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media\/15527"}],"wp:attachment":[{"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/media?parent=8947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/categories?post=8947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tncms.ro\/en\/wp-json\/wp\/v2\/tags?post=8947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}